yellow$92854$ - translation to ιταλικό
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yellow$92854$ - translation to ιταλικό

RACIST COLOR-METAPHOR THAT REPRESENTS EAST ASIAN PEOPLES AS AN 'EXISTENTIAL DANGER' TO THE WEST EUROPE AND AMERICA
Yellow terror; Yellow Terror; Yellow peril; Yellow menace; Yellow (slur); Yellow (racial slur); Yellow (epithet); Yellow (racial epithet); Yellow (racial term); Yellow (ethnic term); Yellow (ethnic slur)
  • In Revolutionary Mexico (1910–20) a wagonload of Asian corpses is en route to a common grave after fear of the Yellow Peril fear provoked a three-day massacre (11–15 May 1911) of 308 Asian people (303 Chinese, 5 Japanese) in the city of Torreón, Coahuila, in northern Mexico.
  • Yellow Peril xenophobia arose from the armed revolt of the Society of the Righteous and Harmonious Fists (the Boxers) to expel all Westerners from China, during the [[Boxer Rebellion]] (August 1899 – September 1901)
  • The Yellow Peril: Chinese men worked for wages lower than those a white man would accept.
  • Le Petit Journal]], 16 January 1898; English: "China – the cake of kings and ... of emperors"</ref>
  • ''Dr. Fu Manchu'' (1958) is an example of Yellow Peril ideology for children. (art by [[Carl Burgos]])
  • eugenic racialism]] proposed in ''[[The Rising Tide of Color Against White World-Supremacy]]'' (1920), by [[Lothrop Stoddard]], presents either China or Japan as uniting the Oriental races to invade, conquer, and subjugate the white civilizations of the Western world.
  • The Yellow Peril Future: In ''Flash Gordon Conquers the Universe'' (1940), Ming the Merciless (Charles Middleton) and a concubine (Carmen D'Antonio).
  • Henry II of Silesia]], in Legnica.
  • French Indochina: In the oriental French Empire, the country and people of Vietnam were renamed ''French Indochina''. (1913)
  • Kaiser Wilhelm II used Yellow Peril ideology as geopolitical justification for Imperial German and European imperialism in China.
  • Unlike the Kaiser of Germany, King Edward VII of the United Kingdom did not see the Japanese as the Yellow Peril in the Russo–Japanese War. (1904–05)
  • To contain the Yellow Peril, the Immigration Act of 1917 established the Asiatic Barred Zone from which the U.S. admitted no immigrants.
  • The [[White Australia policy]] arose from the growth of anti-Asian (particularly Chinese) sentiments that peaked in the late 19th and early 20th centuries. Pictured: The [[Melbourne Punch]] (c. May 1888)
  • The prostitute Suzie Wong (Nancy Kwan) working a sailor to earn her keep. (''The World of Suzie Wong'', 1960)
  • The Yellow Peril was used to justify the [[White Australia Policy]], which excluded dark-skinned [[Melanesians]] from immigration to Australia.
  • French postcard captioned "Make way for the yellows" shows Japanese imperialism running over four great nations of Europe—Russia, Britain, France, and Germany
  • The Randlord's (mine owners') exploitive employment of Chinese labor contributed to the Liberal Party victory in the 1906 elections. (Punch magazine, 1903)
  • Edith Hardy (Fannie Ward) and Hishuru Tori (Sessue Hayakawa) in ''The Cheat'' (1915)
  • ''The Green Mask'' #6 page 43, August 1941, [[Fox Feature Syndicate]], art by Munson Paddock
  • 3}}
  • Wilhelm II]] used the allegorical lithograph ''Peoples of Europe, Guard Your Most Sacred Possessions'' (1895), by [[Hermann Knackfuss]], to promote Yellow Peril ideology as geopolitical justification for European colonialism in China.
  • access-date=June 13, 2020}}</ref>
  • The religious racialism of ''The Yellow Peril'' (1911, 3rd ed.), by [[G. G. Rupert]], proposed that Russia would unite the Oriental races to invade, conquer, and subjugate Christian civilization in the Western world.

yellow      
n. giallo, color giallo; persona di razza gialla; rosso d"uovo, tuorlo
yellow press         
  • Puck]]'' cartoon of November 21, 1888.
  • "Yellow journalism" cartoon about the [[Spanish–American War]] of 1898. The newspaper publishers [[Joseph Pulitzer]] and [[William Randolph Hearst]] are both attired as the [[Yellow Kid]] comics character of the time, and are competitively claiming ownership of the war.
  • "The Yellow Press", by [[L. M. Glackens]], portrays William Randolph Hearst as a jester distributing sensational stories.
  • [[The Yellow Kid]], published by both ''New York World'' and ''New York Journal''
SENSATIONALISTIC NEWS
Yellow press; Yellow Journalism; Yellow journalist; Yellow Dog Journalism; Yellow dog journalism; Yellow DogJournalism; Yellow media; Gutter journalism; Yellow magazine; Boulevard journalism
stampa a forti tinte, stampa scandalistica
yellow journalism         
  • Puck]]'' cartoon of November 21, 1888.
  • "Yellow journalism" cartoon about the [[Spanish–American War]] of 1898. The newspaper publishers [[Joseph Pulitzer]] and [[William Randolph Hearst]] are both attired as the [[Yellow Kid]] comics character of the time, and are competitively claiming ownership of the war.
  • "The Yellow Press", by [[L. M. Glackens]], portrays William Randolph Hearst as a jester distributing sensational stories.
  • [[The Yellow Kid]], published by both ''New York World'' and ''New York Journal''
SENSATIONALISTIC NEWS
Yellow press; Yellow Journalism; Yellow journalist; Yellow Dog Journalism; Yellow dog journalism; Yellow DogJournalism; Yellow media; Gutter journalism; Yellow magazine; Boulevard journalism
n. giornalismo giallo, giornalismo che privilegia il sensazionale o le notizie scandalistiche

Ορισμός

yellow

Βικιπαίδεια

Yellow Peril

The Yellow Peril (also the Yellow Terror and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia as an existential danger to the Western world.

The concept of the Yellow Peril derives from a "core imagery of apes, lesser men, primitives, children, madmen, and beings who possessed special powers", which developed during the 19th century as Western imperialist expansion adduced East Asians as the Yellow Peril. In the late 19th century, the Russian sociologist Jacques Novikow coined the term in the essay "Le Péril Jaune" ("The Yellow Peril", 1897), which Kaiser Wilhelm II (r. 1888–1918) used to encourage the European empires to invade, conquer, and colonize China. To that end, using the Yellow Peril ideology, the Kaiser portrayed the Japanese and the Asian victory against the Russians in the Russo-Japanese War (1904–1905) as an Asian racial threat to white Western Europe, and also exposes China and Japan as in alliance to conquer, subjugate, and enslave the Western world.

The sinologist Wing-Fai Leung explained the origins of the term and the racialist ideology: "The phrase yellow peril (sometimes yellow terror or yellow specter) ... blends Western anxieties about sex, racist fears of the alien Other, and the Spenglerian belief that the West will become outnumbered and enslaved by the East." The academic Gina Marchetti identified the psycho-cultural fear of East Asians as "rooted in medieval fears of Genghis Khan and the Mongol invasions of Europe [1236–1291], the Yellow Peril combines racist terror of alien cultures, sexual anxieties, and the belief that the West will be overpowered and enveloped, by the irresistible, dark, occult forces of the East";: 2  hence, to oppose Japanese imperial militarism, the West expanded the Yellow Peril ideology to include the Japanese people. Moreover, in the late-19th and early-20th centuries, writers developed the Yellow Peril literary topos into codified, racialist motifs of narration, especially in stories and novels of ethnic conflict in the genres of invasion literature, adventure fiction, and science fiction.

Whilst this barbarianism applied to Asian men in particular (East and Southeast Asian men), conversely, the same did not apply to Asian women (East and Southeast Asian women), where Asian women were often subjected to fetishism, seen as ideal women to be bred for white men, in the vein of yellow fever instead. Asian men were subjected to nasty racial stereotypes and were seen as undesirable whilst Asian women were seen as being able to be assimilated to white or Western society.